Weekly Comic Spotlight – The Boys

May 8, 2009
They aren't exactly the Justice League

They aren't exactly the Justice League

I’m going to try and start up a weekly column highlighting a particular comic series I’m enjoying at the time. For the inaugural entry, I’ll be looking at Garth Ennis’ The Boys.

Ennis is a polarizing figure in comics. You either love how messed up his work is, taking it as a kind of dark satire on conventional comics, or you hate him because you see him being sick for sickness’ sake. You either saw his Preacher as a moasterwork, or too crude for your liking. Same goes for his MAX run with The Punisher. With The Boys, I wouldn’t be surprised if you somehow felt both. This is one grotesque book, and an argument can be made that there’s very little that is morally redeemable.

And I just love it.

This is Ennis’ take on a world of superheroes. Where masked men walk freely about, are adored, and don’t give a damn about the mortals they tower over. Whoops, did I just demolish that woman accidentally? Eh, whatever. Shit happens.

I doubt the Flash would've let this happen

I doubt the Flash would've let this happen

It’s in this world that Ennis introduces a government group consisting of the sadistic Brit Billy Butcher, the calm African-American Mother’s Milk, the psychotic Frenchman, and the even more psychotic Female. Taking the role as the readers’ eyes and ears in this anarchy is Wee Hughie Campbell. He’s thrown into the fray after his girlfriend is literally ripped away from him by a careless speedster while fighting a criminal, plastering her corpse all over a brick wall. It’s from this grief that Hughie is enlisted by Butcher into a secret war with the world’s Supes. After all, when the superpowered of the world won’t take accountability, someones gotta be around to put them in line.

Hughie does an admirable job at being our avatar into this craziness. He questions the same things we question, is disgusted the same way we’re disgusted with what is seen. And plus, he looks like Simon Pegg, which is what Ennis was aiming for, so that adds another layer of amusement.

No, Homelander is not Superman

No, Homelander is not Superman

If there’s one thing Ennis reveals wholeheartedly, it’s his obvious distaste at the notion of costumed heroes. It seems excessive how far he goes in portraying essentially every hero as either homosexual, rapists, perverts or mass murderers. The only well adjusted group are the titular Boys, and even then you have two mad killing machines and a profane Englishman. But by doing all of this, Ennis does paint a clear picture of who you’re supposed to be rooting for, and it’s not the Superman of this world, the Homelander. Leader of The Seven, a sort of Justice League run by a corporation, Homelander has a tendency to cause mass carnage and, well, other unseemly things. Although I won’t spoil anything, Butcher and Homelander’s inferred history with one another really does set the groundwork for a rather epic battle when all is said and done.

The Boys is most definitely not for everyone. A lot of really nasty shit happens to people in this comic. If you have the fortitude to witness some of the sickest content mainstream comics can offer, then by all means pick this up. Darick Robertson’s art is consistent (though you can argue it’s just as much an acquired taste as Ennis’ writing) and the storylines are wildly outrageous. You’re almost guaranteed to find something offensive every issue. It’s not exactly high art, but when you’re reading Garth Ennis do you expect it to be?


Flash Rebirth #2 and World of New Krypton #3

May 6, 2009
Johns sure does like his heroes chaning colours

Johns sure does like his heroes chaning colours

Flash Rebirth #2

It took some 20 odd pages that added nothing to the storyline, but Geoff Johns does manage to expalin exactly what happened at the end of the last issue. I won’t spoil it outright, but the image over there should do that sufficiently if you’re observant.

This was a very middling issue, and I was rather disappointed. I didn’t need non-stop exposition, but all this issue was, was a disjointed flashback to Barry’s life pre-lightning bolt and a few panels showing how the other’s affected are currently holding up (FYI, they’re all fine). The only thing that salvages the issue is the last panel where the big ‘reveal’ happens. It’s an interesting concept, but I doubt this will be permanent by any stretch of the imagination.

The art is about on par with what was seen last time around, though Van Sciver gets to draw more exotic locales, with tribal apes with their crazy wall paintings and Savitar’s secret speed force worshipping temple. Not breathtaking, but there aren’t very many things that need to be right now in the story.

Now THIS is a teaser

Now THIS is a teaser

World of New Krypton #3

The real Superman continuation, er, continues and its still moving slower than frozen molasses. Whooo, the labour guild is getting new privileges? Wowzers. That sure is kind of Alura.

Much like Rebirth, the story doesn’t actually gain any steam until the very end when Kal shows Gor his place with some Batman taught fighting techniques and the arrival of the Green Lanterns to see what the fuss about this New Krypton was all about. If what they learn is similar to what we’ve been reading so far, they’ll be leaving bored.

The best part about the issue had nothing to do with the the issue, but rather Gary Frank’s impressive work on the cover and the cover for next month’s teaser. God it looks incredible, but I doubt what will transpire in the actual issue will have little semblance to that awesome cover. I’ve already mentioned I hate Pete Woods run on Superman, and the interiors here do very little to change my mind. His Kal-El design is just has no soul.


The best comic writers working

May 3, 2009
Sorry old man, you didn't make this list. Just felt like I needed your picture here.

Sorry old man, you didn't make this list. Just felt like I needed your picture here.

I already did a little article detailing my personal picks of the five best comic artists currently working (which led to a couple of Greg Land defending douche-mails) that sort of disparaged the writers of the industry. Sorry. To make it up, here’s who I objectively, with severe subjectivity, think are the best comic writers currently working in the industry.

A few criteria:

  • Must be currently working on an ongoing series, or finished on recently.
  • Not looking at webcomics or manga.
  • I’ve read enough of their work to appreciate them. This is the most finicky criteria, seeing that I simply don’t have the time to read everything. Some hundred or two comics come out weekly, and we’re in a recession so…

The list after the break! Or, if you got here directly…right NOW!

Read the rest of this entry »


Wolverine comes out today!

May 1, 2009
Mon aime! Please don't suck, suga'.

Mon aime! Please don't suck, suga'.

Whoo! I am so filled with timid excitement! I know this movie will most likely be atrocious which is why I’m adjusting my expectations accordingly. After all, if I expect it to be horrible and it turns out to be subpar, that means I come out on top right?

Oh, what I do for Wolverine, my fourth favourite comic book character! On the bright side, I’m one of the few people who enjoyed Daredevil (the unrated version) and Punisher Warzone (love the ultra violence), and this movie should at least be better than those. I still wished this was an R-rated flick, though, seeing that eviscerating fuckers is what Wolverine is best at.

I doubt I’ll be seeing things like this:

Yeah, not so PG-13...

Yeah, not so PG-13...


The Best Comic Artists Working

April 22, 2009

NOTE: Now, before we go any further know this – it’s my opinion. Art is possibly the most subjective form of expression out there, so please don’t bitch if you don’t see your favourite artist on here. Instead, point him/her out so I can check their work out and we can both enjoy it.

Comic books seem to get more attention for their writers nowadays, a stark contrast to the yesteryear’s when Jack Kirby and George Perez owned the collective geek consciousness. Now it’s all about the mega writers – Johns, Bendis, Kirkman, etc. Sure, artists are acknowledged, but comics are a writer-based industry now. Well, let’s get back to honouring the artists who make comics a reality.

Seeing that there are sooooo many artists working right now, I had to lay down some ground rules myself:

  • Be a working professional in a print media.
  • Works on interiors. No exclusively cover artists!
  • Be a part of at least a relatively popular series.

All that said, there were still a shit ton of artists floating around out there. So instead of using any objective reasoning (hah! Like that was ever possible), here’s my personal Fave Five, to blatantly steal a slogan.

Read the rest of this entry »


Action Comics – The best Superman comic on the market…

April 20, 2009
Awesome

Awesome

…and there’s no Superman! Who would’ve thought that a Superman series, devoid of Superman, and starring two unknown (well, one of them) characters would turn out to be one of the better series’ on the market?

I know I sure as hell didn’t and I don’t even know why I started reading this. I swear, my recollections of the day went like this: Breakfast, studied on campus, exam, basketball, Action Comics 875 and 876, pizza, studying, blog entry.

How the hell did Action Comics snake its way in there? You know what? I’m dwelling on this way too much. These two issues, 875-876, proved to be some of the most engrossing Kryptonian related material since just before the New Krypton arc started. You know, when Action Comics was good. The new arc stars Nightwing and Flamebird, two heroes who take on the mantle of legendary Kryptonian heroes (this isn’t copying Dick Grayson. Dick’s Nightwing is based on the Kryptonian hero). Their mission? To take down five Kryptonians placed within Earth’s upperclass.

This is far more interesting than that synopsis sounds when you – massiv spoilers being! – find out that Nightwing is actually the recently set free Christopher Kent! Here I thought the kid was all but forgotten about. Flamebird? Some Kyrptonian chick named Thara.

What really sets this new arc apart from the other Superman monthlies is just how brutal it all is. Issue 876 is essentially Ursa (Zod’s lover and Chris’ biological mother) slicing the hell out of Flamebird with a fucking Kryptonite knife! How crazy is that shit? And what a crazy knifing it is. As you can see from the picture, it wasn’t pretty. My God, this was probably the single bloodiest issue in any Superman story (minus Infinite Crisis) I’ve read in a good long while.

Even without the bloodied carnage, though, Greg Rucka writes a fantastic inner monologue for the psychotic Ursa, all the while dropping just enough exposition into the dialogue to make you interested in finding out more. And that ending scene with Chris floating outside of Lois Lane’s, his mother for all intents and purposes, apartment promises nothing but awesome in the next issue.


World of Green Cowl

April 9, 2009
This is the last time I look this good in this issue.

This is the last time I look this good in this issue.

World of New Krypton #2

Things got interesting last time with Superman essentially becoming a soldier in the Aryan-err, Kryptonian army. So, what manner of wacky hijinks can our adorable Kal-El get himself into this time? None, essentially. The issue revolved around him being all authoritative, and then herding space rhinos or something. But not just any kind of space rhino, but mind altering SUPER space rhino. Still, it doesn’t change the fact that it was still an issue about him herding animals. It ends on an intriguing note, with the workers guild rising up and taking a bunch of rich people hostage, but for some odd reason I doubt this will amount to much next issue.

A pretty bland story overall, with Robinson not really doing much in terms of plot or character development. Kal-el is still altruistic, Zod is still maniacal, Kara is still Kara, etc. And please, stop using the Gary Frank covers! They are so awesome, only to turn the page over and *blam* Pete Woods mediocrity kicks you square in the shin. Woods is a bad, bad artist. He might be awesome elsewhere, but with my sole experience with him on Superman, he’s been nothing but awful.

Rating: 3.9812 out of 12.51

Battle for the Cowl #2

Well, it’s the second issue and it’s already the penultimate chapter in artist turn writer/artist Tony Daniel’s three issue mega event. And it’s still rather disjointed and relatively soulless, and yes, it’s still mindlessly fun. It was pretty much a chapter long Jason Todd (*gasp* SPOILER!) ass kicking marathon. First kicking Grayson’s ass, shooting Damian and then stabbing Tim in the chest.

Badass.

But we all know this badassery isn’t going to last, what with Dick Grayson all but guaranteed to be the next Batman and Damian as his Robin. The art is definitely lacking something compared to Daniels’ previous work on RIP. Maybe splitting his time between both writing and art is taking its toll.

Rating: 4 bloodied batarangs out of 7 killer man-bats.

Green Lantern #39

And here comes the Orange Lantern Corps! And I know I’m going to have a hard time differentiating them from the Sinestro Corps. I mean, just read the Sinestro Corps War and you’ll see the colour palette for the Yellow Lanterns there are virtually indistinguishable from the Orange Lanterns. And now there’s mention of an Indigo Corps? I mean, c’mon, we already have the Sapphires who are practically the same colour.

Anyways, colour bitching aside, the issue was below GL norm.I don’t mind exposition chapters, but when the exposition doesn’t reveal anything compelling, it’s just plain boring. It was nice seeing the Controllers getting torn apart, but that was the only great thing about the issue. I know, it’s just a set up for the next chapter which is almost guaranteed to be badass (Vega system going down, brotha’), but hey, I can complain if I want to.

Rating: 4 turquoise out of 6 navy blues.


Weekly Manga Wrapup: Pearl Edition!

April 4, 2009
Can you say, "fucking pwned?" Of course you can't, 'pwned' isn't a fucking word!

Can you say, "fucking pwned?" Of course you can't, 'pwned' isn't a fucking word!

This is the start of my weekly column containing itty-bitty-mini-reviews of the manga chapters I’m currently following. There may be spoilers, so if you aren’t into that I don’t recom-Dumbledore Dies!-mend you continue reading this.

Naruto 442:

The exciting conclusion promised last week…doesn’t happen here. Which annoys me because lies are like acid to my mood. In typical shounen fashion, it ends right on the money shot, leaving us to wonder another week what the fuck will happen.

Rating: 3 out of 5, for Kishimoto being a lying little bitch.

One Piece 538:

One Piece chapters fall into two categories for me:

1. Action issues, where its almost a non-stop overflow of bloodied manhood. Impel Down’s been mostly this up until now, and its been glorious.

2. The explanation chapter, where the series slows to a standstill so character can suddenly jump into a ten chapter long flashback, or people just talk about WHAT WE HAD JUST SEEN.

Unfortunately, this week’s One Piece was the latter. Just a bunch of word bubbles  floating around gender bending okamas. Sure there was a nice One Piece moment on the last page with Luffy defying everyone’s expectations, but honestly, who didn’t see that coming? (Unless you’re blind, in which case I apologise. Actually, no I don’t because you didn’t just read that)

Rating: 2 out of 5, for a Nazi okama queen/king having a Shakespearean monologue.

You're a douchbag, Mr. Kurosaki.

You're a douchebag, Mr. Kurosaki.

Bleach 352:

So, what can we learn from chapter 352? Hollow-Ichigo is one giant, smelly, penis of a friend. Aside from that? Absolutely nothing else. Ichigo stabs an already armless Ishida. Gasp, shock, ambivalence.

Still, I have to note that of everyone this arc, Ishida’s definitely getting the shot end of the stick. I mean, the dude gets his ass kicked repeatedly, loses and arm and now has a fucking katana stuck in him.

Rating: 1 out of 5, for being a chapter that didn’t need to exist.

Fairy Tail 129:

Festival’s over, Lucy meets her dad, everyone’s going out for a mission. Lucy finds out dead beat dad is in danger, demands everyone go to rescue him. I assume they all say yes next week.

Rating: 2.5 out of 5, for excessive scenes of Lucy’s cleavage.

D.Gray-Man 182:

Now this is why I read manga. Just the right amount of exposition, followed by copious amounts of blood letting and a grand, juicy bits-filled finale. And I simply can’t fathom how the mangakacan draw so many detailed panels week in and week out. Probably the best drawn manga/comic on the market right now.

Rating: 4.5 out of 5, deducted .5 for not having Lenalee to stand around and be useless, but adorable.

Well, there’s the wrapup. Sorry for the lack of shoujo on the list, but, like, I’m a dude. Overall, a very lacking week with one bright spot in D.Gray-Man.


The Rise and Fall of Heroes

April 2, 2009
heroes_cast

I thought you guys were cool. What the hell happened?

When Heroes hit back in 2006, it introduced itself like a right hook to your supple jaw line. After being stunned for a few moments – or dead – you realized, “holy crap, what the fuck man?”

And then you’d realize, “holy crap, this show is awesome!”

The show was so damned good. It introduced characters that we (I assume we all watch the show) cared about. Peter, the male nurse with a weird mouth who also happens to be an ability absorbing badass. Hiro, the geeky Japanese office worker with a billionaire father (because that’s realism, duh) who has the ability to manipulate time and carry a sword at some indeterminate spot in the future. Claire, the show’s Wolverine, only taller, blonder, and sassiness in place of eviscerating claws. Nathan the flying man, Matt the psychic man, Micah the boy wonder, Isaac painting big explosions, and Mohinder the, uh, Indian.

Then there was Sylar. The enigmatic Big Bad running around cutting people’s scalps off. Even after he was caught and you found out he was some watch repairing douchebag, he was still menacing s hell.

So much greatness, and for whatever reason the producers and writers all got in a room, ordered some Quizno’s, and decided that yep, we’re done writing quality shit now that season one’s over.

Read the rest of this entry »


Flash Rebirth #1 : Birthed

April 2, 2009
My name is Barry Allen, and I just owned you.

My name is Barry Allen, and I just owned you.

If you know me, you know I love The Flash. Because you don’t know me, I just told you so. I love every iteration of the Flash. From rusty ol’ Jay Garrick being all old, to Wally West being all family man, to Bart Allen being all killed. But above all the others, it’s Barry fucking Allen that stands head and shoulders above all else for me. He was the no-nonsense Flash that got shit done and sacrificed himself because that’s what you do. I’ve done it twice, which isn’t to take anything away from Barry.

I’m just saying.

Well here comes Mr. Robo-DC-Writer Geoff Johns, the continuity savant, to bring back one of the most iconic characters in human/CHUD history. We all know, I assume, that Barry came back during the mind fuck that was Final Crisis (Morrison’s masturbatory magnum opus), but even then he didn’t really seem very important until that one panel near the end. Well, Johns will have none of the Barry-marginalization. No, he gives Barry a five issue miniseries to rule all five issue miniseries (I’m looking at YOU Ultimatum).

So, how does issue numero uno (I’m international!) fare? It fares about as well as a 250 pound man beating a handicapped toddler – surprisingly well. Johns does his Johnsing. Every line of dialogue just feels important, and even though nothing really happens until the last two pages that nothing was still damned entertaining. Bendis wishes he could write this well.

(TANGENT: In fact, this is starting to really freak me out. How is it possible that Johns is writing, off the top of my head, four different series and still keep things so smooth and entertaining? I mean, it’s not like a bunch of his issues are just empty action scenes or anything. Just look at Legion of 3 Worlds – there’s more dialogue than pictures. I’m beginning to feel that Geoff Johns isn’t human. Which is too bad, because the day that news gets out I’m hunting you down Johns. Earth ain’t big enough for humans AND Geoff Johns)

The art is gorgeous, the little character bits are fascinating, and all in all Flash Rebirth lives up the hype building into it. I love how Barry just shrugs off the fact that he OUTRAN DEATH, and instead just wants to get right back into it and take down some criminal scum, his family and friends be damned.

Barry Allen is back, and he will stab you in the face (high five, Supernatural fans).

Rating: Two bolts of lightning and a bag of potato chips.


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